<\/p>\n\n\n
Prof. Dr. Wolfgang Bongers<\/strong><\/p>\n\n\n\nSantiago de ChileChile<\/p>\n\n\n\nCatholic University of ChileFaculty of Literature and Linguistics<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nWolfgang Bongers is an Associate Professor at the Faculty of Literature and Linguistics, Catholic University of Chile. He holds a PhD in Literature and Intermediality from the University of Siegen, Germany, and a Master of Arts in Romance Philology from Heinrich Heine University D\u00fcsseldorf. As a film and literary critic, he specializes in the intersections between literature and audiovisual media (film, television, installations, digital art), as well as the construction of cultural memories in analog and digital archives, their technologies and materialities throughout the 20th and 21st centuries. \u201cLiterature and Publicity\u201d are prominent themes in this context. He has led several national and international research projects and is the author of numerous articles and the books \u201cWriting\/Figures: Julio Cort\u00e1zar\u2019s Transtextual Aesthetics\u201d and \u201cInterferences from the Archive: Aesthetic and Political Cuts in Film and Literature. Argentina and Chile.\u201d Currently, he is the Co-Director of the Millennium Nucleus project \u201cThe Futures of Artificial Intelligence\u201d (nucleofair.org<\/a>).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Ana Casas \u2013 Universidad de Alcal\u00e1 (Spanien)<\/button><\/h2>\n\n\n\nProf. Ana Casas<\/strong><\/p>\n\n\n\nAlcal\u00e1 de HenaresSpain<\/p>\n\n\n\nUniversidad de Alcal\u00e1Departamento de Filolog\u00eda, Comunicaci\u00f3n y Documentaci\u00f3n<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nAna Casas is an Associate Professor of Spanish Literature at the University of Alcal\u00e1. As a specialist in contemporary narratives, she is the author, among others works, of the monographs El cuento espa\u00f1ol en la posguerra. Presencia del relato breve en las revistas literarias<\/em> [The Spanish Short Story in the Postwar Period. (2007)] and Voces de lo fant\u00e1stico en la narrativa espa\u00f1ola contempor\u00e1nea<\/em> [Voices of the fantastic in contemporary Spanish narrative (with David Roas, 2016)]. She is also the editor of La autoficci\u00f3n. Reflexiones te\u00f3ricas<\/em> [Autofiction. Theoretical reflections (2012)], El yo fabulado. Nuevas aproximaciones cr\u00edticas a la autoficci\u00f3n<\/em> [The fabled self. New critical approaches to autofiction (2014)], El autor a escena. Intermedialidad y autoficci\u00f3n<\/em> [The author on stage. Intermediality and autofiction (2017)] and Pensar lo real: autoficci\u00f3n y discurso cr\u00edtico<\/em> [Thinking the real: autofiction and critical discourse (with Anna Forn\u00e9, 2022)]. She belongs to the GEF (Fantastic Studies Group, at Autonomous University of Barcelona) and the Contemporary Literature Research Group-GILCO (University of Alcal\u00e1). She is the head editor of Pasavento. Journal of Hispanic Studie<\/em>s (https:\/\/erevistas.publicaciones.uah.es\/ojs\/index.php\/pasavento\/<\/a>).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Diana Diaconu \u2013 Universidad Nacional de Colombia (Colombia)<\/button><\/h2>\n\n\n\nProf. Dr. Diana Diaconu<\/strong><\/p>\n\n\n\nBogot\u00e1Colombia<\/p>\n\n\n\nUniversidad Nacional de ColombiaDepartamento de Literatura<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Friederike Eigler \u2013 Georgetown University (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Friederike Eigler<\/strong><\/p>\n\n\n\nWashingtonUSA<\/p>\n\n\n\nGeorgetown University<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Gabriel Giorgi \u2013 New York (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Gabriel Giorgi<\/strong><\/p>\n\n\n\nNew YorkUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Orlando Grossegesse \u2013 Universidade do Minho (Portugal)<\/button><\/h2>\n\n\n\nProf. Dr. Orlando Grossegesse<\/strong><\/p>\n\n\n\nBragaPortugal<\/p>\n\n\n\nUniversidade do Minho<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nOrlando Grossegesse studied Romance philology at the LMU in Munich from 1981 to 1986 with a focus on Hispanic and Lusitanian studies as well as communication sciences. Since 1990 he has worked at the Universidade do Minho (Braga, Portugal), where he founded the German department. His teaching and research topics include the diverse relationships between German-speaking and Lusophone cultures and literatures in the 19th century and up to the present. Studies on literary translation play an important role (e.g<\/em>. Ilse Losa, Albert Vigoleis Thelen, Curt Meyer-Clason), in the context of migration and the mediation of foreign-language literature to the public in German-speaking countries.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Michael Hagner \u2013 ETH Z\u00fcrich (Switzerland)<\/button><\/h2>\n\n\n\nProf. Dr. Michael Hagner<\/strong><\/p>\n\n\n\nZ\u00fcrichSwitzerland<\/p>\n\n\n\nETH Z\u00fcrich<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMichael Hagner is currently working on a book that brings together published and unpublished essays arguing that transformations in book culture and larger transformations in society, science, and culture are mutually dependent. The book will be published under the title \u201eDie moralische \u00d6konomie des Buches\u201c.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Katharina Lobinger \u2013 Universit\u00e0 della Svizzera italiana (Switzerland)<\/button><\/h2>\n\n\n\nProf. Dr. Katharina Lobinger<\/strong><\/p>\n\n\n\nLuganoSwitzerland<\/p>\n\n\n\nUniversit\u00e0 della Svizzera italiana<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Ilse Logie \u2013 Universiteit Gent (Belgium)<\/button><\/h2>\n\n\n\nProf. Dr. Ilse Logie<\/strong><\/p>\n\n\n\nGentBelgium<\/p>\n\n\n\nUniversiteit GentDepartment of Literary Studies<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nIlse Logie is a Professor of Latin American Studies at Ghent University (Department of Literary Studies). A first topic that is central to her work is related to the production, circulation and reception of contemporary Latin American literature in global markets. She is the chair of the Research Group \u201cCentre for Literature in translation\u201d (CLIV, Ghent University and University of Brussels). The group\u2019s research objectives focus on the role of translation in the cultural transfer of knowledge, ideas, ideologies, norms and values as well as aesthetic procedures in fiction and non-fiction. In the examined corpora, this transfer and reinterpretation of cultural codes mainly manifests itself in a poetics of multilingualism and interculturality.<\/p>\n\n\n\nHer second field of research deals with the representation of different types of violence within contemporary Latin American narratives (especially in Argentina and Chile), on which she has produced numerous publications.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Annick Louis \u2013 Franche Comt\u00e9 | Paris (France)<\/button><\/h2>\n\n\n\nProf. Dr. Annick Louis<\/strong><\/p>\n\n\n\nFranche Comt\u00e9 | ParisFrance<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy work develops an epistemology of contemporary narratives situated between fiction and non-fiction, based on a comparative corpus, which includes the Americas and Western Europe. This type of \u201ccross-bordering\u201d narrative is increasingly popular with specialized and non-specialized audiences and nowadays represents a vast international and globalized production, in which different literary traditions are present. I\u2019m particularly interested in the direct and indirect effects and impacts which works that blur the boundaries between fiction and non-fiction have in the contemporary world.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Christine Magerski \u2013 Sveu\u010dili\u0161te u Zagrebu (Croatia)<\/button><\/h2>\n\n\n\nProf. Dr. Christine Magerski<\/strong><\/p>\n\n\n\nZagrebCroatia<\/p>\n\n\n\nSveu\u010dili\u0161te u ZagrebuGermanistische Abteilung<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nChristine Magerski holds the Chair of German Literature at the University of Zagreb. After her Master\u2019s in Comparative Literature and History at Free University of Berlin, she worked on her dissertation at Monash University\/Melbourne on the beginning of the sociology of literature in Germany in the late 20th century. Already in this context, she was focused on examining the interconnection between literature and society. At the Wissenschaftskolleg of Berlin as well as at University of Zagreb, she researched the social and cultural history of modernity with special consideration of the avant-garde and subcultural movements. Her research on literary sociology revolves around questions of socio-cultural self-description with special emphasis on the creative class and its (self)publicity. Christine Magerski is currently working on a monograph on images of society in literature and sociology of the 20th century. She lives with her family in Zagreb and in Berlin.<\/p>\n\n\n\nMonographs on the topic of literature, society and the public sphere:<\/p>\n\n\n\nDie Konstituierung des literarischen Feldes in Deutschland nach 1871. Berliner Moderne, Literaturkritik und die Anf\u00e4nge der Literatursoziologie<\/em>, T\u00fcbingen: Niemeyer 2004; Gelebte Ambivalenz.<\/em><\/p>\n\n\n\nDie Boheme als Prototyp der Moderne<\/em>. Wiesbaden: Springer VS 2015.<\/p>\n\n\n\nLiteratursoziologie. Grundlagen, Problemstellungen und Theorien<\/em>. Zusammen mit Christa Karpenstein-E\u00dfbach, Wiesbaden: Springer VS 2019; Umgekehrte Mimesis. Bausteine einer Geschichte der K\u00fcnstlichkeit<\/em>. Zusammen mit David Roberts, Weilerswist: Velbr\u00fcck 2023.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Mark McGurl \u2013 Stanford (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Mark McGurl<\/strong><\/p>\n\n\n\nStanfordUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Volker Mergenthaler \u2013 Marburg University (Germany)<\/button><\/h2>\n\n\n\nProf. Dr. Volker Mergenthaler<\/strong><\/p>\n\n\n\nMarburg Germany<\/p>\n\n\n\nMarburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\nhttps:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Santiago de ChileChile<\/p>\n\n\n\n
Catholic University of ChileFaculty of Literature and Linguistics<\/p>\n<\/div>\n\n\n\n
Wolfgang Bongers is an Associate Professor at the Faculty of Literature and Linguistics, Catholic University of Chile. He holds a PhD in Literature and Intermediality from the University of Siegen, Germany, and a Master of Arts in Romance Philology from Heinrich Heine University D\u00fcsseldorf. As a film and literary critic, he specializes in the intersections between literature and audiovisual media (film, television, installations, digital art), as well as the construction of cultural memories in analog and digital archives, their technologies and materialities throughout the 20th and 21st centuries. \u201cLiterature and Publicity\u201d are prominent themes in this context. He has led several national and international research projects and is the author of numerous articles and the books \u201cWriting\/Figures: Julio Cort\u00e1zar\u2019s Transtextual Aesthetics\u201d and \u201cInterferences from the Archive: Aesthetic and Political Cuts in Film and Literature. Argentina and Chile.\u201d Currently, he is the Co-Director of the Millennium Nucleus project \u201cThe Futures of Artificial Intelligence\u201d (nucleofair.org<\/a>).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Ana Casas \u2013 Universidad de Alcal\u00e1 (Spanien)<\/button><\/h2>\n\n\n\nProf. Ana Casas<\/strong><\/p>\n\n\n\nAlcal\u00e1 de HenaresSpain<\/p>\n\n\n\nUniversidad de Alcal\u00e1Departamento de Filolog\u00eda, Comunicaci\u00f3n y Documentaci\u00f3n<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nAna Casas is an Associate Professor of Spanish Literature at the University of Alcal\u00e1. As a specialist in contemporary narratives, she is the author, among others works, of the monographs El cuento espa\u00f1ol en la posguerra. Presencia del relato breve en las revistas literarias<\/em> [The Spanish Short Story in the Postwar Period. (2007)] and Voces de lo fant\u00e1stico en la narrativa espa\u00f1ola contempor\u00e1nea<\/em> [Voices of the fantastic in contemporary Spanish narrative (with David Roas, 2016)]. She is also the editor of La autoficci\u00f3n. Reflexiones te\u00f3ricas<\/em> [Autofiction. Theoretical reflections (2012)], El yo fabulado. Nuevas aproximaciones cr\u00edticas a la autoficci\u00f3n<\/em> [The fabled self. New critical approaches to autofiction (2014)], El autor a escena. Intermedialidad y autoficci\u00f3n<\/em> [The author on stage. Intermediality and autofiction (2017)] and Pensar lo real: autoficci\u00f3n y discurso cr\u00edtico<\/em> [Thinking the real: autofiction and critical discourse (with Anna Forn\u00e9, 2022)]. She belongs to the GEF (Fantastic Studies Group, at Autonomous University of Barcelona) and the Contemporary Literature Research Group-GILCO (University of Alcal\u00e1). She is the head editor of Pasavento. Journal of Hispanic Studie<\/em>s (https:\/\/erevistas.publicaciones.uah.es\/ojs\/index.php\/pasavento\/<\/a>).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Diana Diaconu \u2013 Universidad Nacional de Colombia (Colombia)<\/button><\/h2>\n\n\n\nProf. Dr. Diana Diaconu<\/strong><\/p>\n\n\n\nBogot\u00e1Colombia<\/p>\n\n\n\nUniversidad Nacional de ColombiaDepartamento de Literatura<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Friederike Eigler \u2013 Georgetown University (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Friederike Eigler<\/strong><\/p>\n\n\n\nWashingtonUSA<\/p>\n\n\n\nGeorgetown University<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Gabriel Giorgi \u2013 New York (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Gabriel Giorgi<\/strong><\/p>\n\n\n\nNew YorkUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Orlando Grossegesse \u2013 Universidade do Minho (Portugal)<\/button><\/h2>\n\n\n\nProf. Dr. Orlando Grossegesse<\/strong><\/p>\n\n\n\nBragaPortugal<\/p>\n\n\n\nUniversidade do Minho<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nOrlando Grossegesse studied Romance philology at the LMU in Munich from 1981 to 1986 with a focus on Hispanic and Lusitanian studies as well as communication sciences. Since 1990 he has worked at the Universidade do Minho (Braga, Portugal), where he founded the German department. His teaching and research topics include the diverse relationships between German-speaking and Lusophone cultures and literatures in the 19th century and up to the present. Studies on literary translation play an important role (e.g<\/em>. Ilse Losa, Albert Vigoleis Thelen, Curt Meyer-Clason), in the context of migration and the mediation of foreign-language literature to the public in German-speaking countries.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Michael Hagner \u2013 ETH Z\u00fcrich (Switzerland)<\/button><\/h2>\n\n\n\nProf. Dr. Michael Hagner<\/strong><\/p>\n\n\n\nZ\u00fcrichSwitzerland<\/p>\n\n\n\nETH Z\u00fcrich<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMichael Hagner is currently working on a book that brings together published and unpublished essays arguing that transformations in book culture and larger transformations in society, science, and culture are mutually dependent. The book will be published under the title \u201eDie moralische \u00d6konomie des Buches\u201c.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Katharina Lobinger \u2013 Universit\u00e0 della Svizzera italiana (Switzerland)<\/button><\/h2>\n\n\n\nProf. Dr. Katharina Lobinger<\/strong><\/p>\n\n\n\nLuganoSwitzerland<\/p>\n\n\n\nUniversit\u00e0 della Svizzera italiana<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Ilse Logie \u2013 Universiteit Gent (Belgium)<\/button><\/h2>\n\n\n\nProf. Dr. Ilse Logie<\/strong><\/p>\n\n\n\nGentBelgium<\/p>\n\n\n\nUniversiteit GentDepartment of Literary Studies<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nIlse Logie is a Professor of Latin American Studies at Ghent University (Department of Literary Studies). A first topic that is central to her work is related to the production, circulation and reception of contemporary Latin American literature in global markets. She is the chair of the Research Group \u201cCentre for Literature in translation\u201d (CLIV, Ghent University and University of Brussels). The group\u2019s research objectives focus on the role of translation in the cultural transfer of knowledge, ideas, ideologies, norms and values as well as aesthetic procedures in fiction and non-fiction. In the examined corpora, this transfer and reinterpretation of cultural codes mainly manifests itself in a poetics of multilingualism and interculturality.<\/p>\n\n\n\nHer second field of research deals with the representation of different types of violence within contemporary Latin American narratives (especially in Argentina and Chile), on which she has produced numerous publications.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Annick Louis \u2013 Franche Comt\u00e9 | Paris (France)<\/button><\/h2>\n\n\n\nProf. Dr. Annick Louis<\/strong><\/p>\n\n\n\nFranche Comt\u00e9 | ParisFrance<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy work develops an epistemology of contemporary narratives situated between fiction and non-fiction, based on a comparative corpus, which includes the Americas and Western Europe. This type of \u201ccross-bordering\u201d narrative is increasingly popular with specialized and non-specialized audiences and nowadays represents a vast international and globalized production, in which different literary traditions are present. I\u2019m particularly interested in the direct and indirect effects and impacts which works that blur the boundaries between fiction and non-fiction have in the contemporary world.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Christine Magerski \u2013 Sveu\u010dili\u0161te u Zagrebu (Croatia)<\/button><\/h2>\n\n\n\nProf. Dr. Christine Magerski<\/strong><\/p>\n\n\n\nZagrebCroatia<\/p>\n\n\n\nSveu\u010dili\u0161te u ZagrebuGermanistische Abteilung<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nChristine Magerski holds the Chair of German Literature at the University of Zagreb. After her Master\u2019s in Comparative Literature and History at Free University of Berlin, she worked on her dissertation at Monash University\/Melbourne on the beginning of the sociology of literature in Germany in the late 20th century. Already in this context, she was focused on examining the interconnection between literature and society. At the Wissenschaftskolleg of Berlin as well as at University of Zagreb, she researched the social and cultural history of modernity with special consideration of the avant-garde and subcultural movements. Her research on literary sociology revolves around questions of socio-cultural self-description with special emphasis on the creative class and its (self)publicity. Christine Magerski is currently working on a monograph on images of society in literature and sociology of the 20th century. She lives with her family in Zagreb and in Berlin.<\/p>\n\n\n\nMonographs on the topic of literature, society and the public sphere:<\/p>\n\n\n\nDie Konstituierung des literarischen Feldes in Deutschland nach 1871. Berliner Moderne, Literaturkritik und die Anf\u00e4nge der Literatursoziologie<\/em>, T\u00fcbingen: Niemeyer 2004; Gelebte Ambivalenz.<\/em><\/p>\n\n\n\nDie Boheme als Prototyp der Moderne<\/em>. Wiesbaden: Springer VS 2015.<\/p>\n\n\n\nLiteratursoziologie. Grundlagen, Problemstellungen und Theorien<\/em>. Zusammen mit Christa Karpenstein-E\u00dfbach, Wiesbaden: Springer VS 2019; Umgekehrte Mimesis. Bausteine einer Geschichte der K\u00fcnstlichkeit<\/em>. Zusammen mit David Roberts, Weilerswist: Velbr\u00fcck 2023.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Mark McGurl \u2013 Stanford (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Mark McGurl<\/strong><\/p>\n\n\n\nStanfordUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Volker Mergenthaler \u2013 Marburg University (Germany)<\/button><\/h2>\n\n\n\nProf. Dr. Volker Mergenthaler<\/strong><\/p>\n\n\n\nMarburg Germany<\/p>\n\n\n\nMarburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\nhttps:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Prof. Ana Casas<\/strong><\/p>\n\n\n\nAlcal\u00e1 de HenaresSpain<\/p>\n\n\n\nUniversidad de Alcal\u00e1Departamento de Filolog\u00eda, Comunicaci\u00f3n y Documentaci\u00f3n<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nAna Casas is an Associate Professor of Spanish Literature at the University of Alcal\u00e1. As a specialist in contemporary narratives, she is the author, among others works, of the monographs El cuento espa\u00f1ol en la posguerra. Presencia del relato breve en las revistas literarias<\/em> [The Spanish Short Story in the Postwar Period. (2007)] and Voces de lo fant\u00e1stico en la narrativa espa\u00f1ola contempor\u00e1nea<\/em> [Voices of the fantastic in contemporary Spanish narrative (with David Roas, 2016)]. She is also the editor of La autoficci\u00f3n. Reflexiones te\u00f3ricas<\/em> [Autofiction. Theoretical reflections (2012)], El yo fabulado. Nuevas aproximaciones cr\u00edticas a la autoficci\u00f3n<\/em> [The fabled self. New critical approaches to autofiction (2014)], El autor a escena. Intermedialidad y autoficci\u00f3n<\/em> [The author on stage. Intermediality and autofiction (2017)] and Pensar lo real: autoficci\u00f3n y discurso cr\u00edtico<\/em> [Thinking the real: autofiction and critical discourse (with Anna Forn\u00e9, 2022)]. She belongs to the GEF (Fantastic Studies Group, at Autonomous University of Barcelona) and the Contemporary Literature Research Group-GILCO (University of Alcal\u00e1). She is the head editor of Pasavento. Journal of Hispanic Studie<\/em>s (https:\/\/erevistas.publicaciones.uah.es\/ojs\/index.php\/pasavento\/<\/a>).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Diana Diaconu \u2013 Universidad Nacional de Colombia (Colombia)<\/button><\/h2>\n\n\n\nProf. Dr. Diana Diaconu<\/strong><\/p>\n\n\n\nBogot\u00e1Colombia<\/p>\n\n\n\nUniversidad Nacional de ColombiaDepartamento de Literatura<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Friederike Eigler \u2013 Georgetown University (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Friederike Eigler<\/strong><\/p>\n\n\n\nWashingtonUSA<\/p>\n\n\n\nGeorgetown University<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Gabriel Giorgi \u2013 New York (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Gabriel Giorgi<\/strong><\/p>\n\n\n\nNew YorkUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Orlando Grossegesse \u2013 Universidade do Minho (Portugal)<\/button><\/h2>\n\n\n\nProf. Dr. Orlando Grossegesse<\/strong><\/p>\n\n\n\nBragaPortugal<\/p>\n\n\n\nUniversidade do Minho<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nOrlando Grossegesse studied Romance philology at the LMU in Munich from 1981 to 1986 with a focus on Hispanic and Lusitanian studies as well as communication sciences. Since 1990 he has worked at the Universidade do Minho (Braga, Portugal), where he founded the German department. His teaching and research topics include the diverse relationships between German-speaking and Lusophone cultures and literatures in the 19th century and up to the present. Studies on literary translation play an important role (e.g<\/em>. Ilse Losa, Albert Vigoleis Thelen, Curt Meyer-Clason), in the context of migration and the mediation of foreign-language literature to the public in German-speaking countries.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Michael Hagner \u2013 ETH Z\u00fcrich (Switzerland)<\/button><\/h2>\n\n\n\nProf. Dr. Michael Hagner<\/strong><\/p>\n\n\n\nZ\u00fcrichSwitzerland<\/p>\n\n\n\nETH Z\u00fcrich<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMichael Hagner is currently working on a book that brings together published and unpublished essays arguing that transformations in book culture and larger transformations in society, science, and culture are mutually dependent. The book will be published under the title \u201eDie moralische \u00d6konomie des Buches\u201c.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Katharina Lobinger \u2013 Universit\u00e0 della Svizzera italiana (Switzerland)<\/button><\/h2>\n\n\n\nProf. Dr. Katharina Lobinger<\/strong><\/p>\n\n\n\nLuganoSwitzerland<\/p>\n\n\n\nUniversit\u00e0 della Svizzera italiana<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Ilse Logie \u2013 Universiteit Gent (Belgium)<\/button><\/h2>\n\n\n\nProf. Dr. Ilse Logie<\/strong><\/p>\n\n\n\nGentBelgium<\/p>\n\n\n\nUniversiteit GentDepartment of Literary Studies<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nIlse Logie is a Professor of Latin American Studies at Ghent University (Department of Literary Studies). A first topic that is central to her work is related to the production, circulation and reception of contemporary Latin American literature in global markets. She is the chair of the Research Group \u201cCentre for Literature in translation\u201d (CLIV, Ghent University and University of Brussels). The group\u2019s research objectives focus on the role of translation in the cultural transfer of knowledge, ideas, ideologies, norms and values as well as aesthetic procedures in fiction and non-fiction. In the examined corpora, this transfer and reinterpretation of cultural codes mainly manifests itself in a poetics of multilingualism and interculturality.<\/p>\n\n\n\nHer second field of research deals with the representation of different types of violence within contemporary Latin American narratives (especially in Argentina and Chile), on which she has produced numerous publications.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Annick Louis \u2013 Franche Comt\u00e9 | Paris (France)<\/button><\/h2>\n\n\n\nProf. Dr. Annick Louis<\/strong><\/p>\n\n\n\nFranche Comt\u00e9 | ParisFrance<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy work develops an epistemology of contemporary narratives situated between fiction and non-fiction, based on a comparative corpus, which includes the Americas and Western Europe. This type of \u201ccross-bordering\u201d narrative is increasingly popular with specialized and non-specialized audiences and nowadays represents a vast international and globalized production, in which different literary traditions are present. I\u2019m particularly interested in the direct and indirect effects and impacts which works that blur the boundaries between fiction and non-fiction have in the contemporary world.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Christine Magerski \u2013 Sveu\u010dili\u0161te u Zagrebu (Croatia)<\/button><\/h2>\n\n\n\nProf. Dr. Christine Magerski<\/strong><\/p>\n\n\n\nZagrebCroatia<\/p>\n\n\n\nSveu\u010dili\u0161te u ZagrebuGermanistische Abteilung<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nChristine Magerski holds the Chair of German Literature at the University of Zagreb. After her Master\u2019s in Comparative Literature and History at Free University of Berlin, she worked on her dissertation at Monash University\/Melbourne on the beginning of the sociology of literature in Germany in the late 20th century. Already in this context, she was focused on examining the interconnection between literature and society. At the Wissenschaftskolleg of Berlin as well as at University of Zagreb, she researched the social and cultural history of modernity with special consideration of the avant-garde and subcultural movements. Her research on literary sociology revolves around questions of socio-cultural self-description with special emphasis on the creative class and its (self)publicity. Christine Magerski is currently working on a monograph on images of society in literature and sociology of the 20th century. She lives with her family in Zagreb and in Berlin.<\/p>\n\n\n\nMonographs on the topic of literature, society and the public sphere:<\/p>\n\n\n\nDie Konstituierung des literarischen Feldes in Deutschland nach 1871. Berliner Moderne, Literaturkritik und die Anf\u00e4nge der Literatursoziologie<\/em>, T\u00fcbingen: Niemeyer 2004; Gelebte Ambivalenz.<\/em><\/p>\n\n\n\nDie Boheme als Prototyp der Moderne<\/em>. Wiesbaden: Springer VS 2015.<\/p>\n\n\n\nLiteratursoziologie. Grundlagen, Problemstellungen und Theorien<\/em>. Zusammen mit Christa Karpenstein-E\u00dfbach, Wiesbaden: Springer VS 2019; Umgekehrte Mimesis. Bausteine einer Geschichte der K\u00fcnstlichkeit<\/em>. Zusammen mit David Roberts, Weilerswist: Velbr\u00fcck 2023.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Mark McGurl \u2013 Stanford (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Mark McGurl<\/strong><\/p>\n\n\n\nStanfordUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Volker Mergenthaler \u2013 Marburg University (Germany)<\/button><\/h2>\n\n\n\nProf. Dr. Volker Mergenthaler<\/strong><\/p>\n\n\n\nMarburg Germany<\/p>\n\n\n\nMarburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\nhttps:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Alcal\u00e1 de HenaresSpain<\/p>\n\n\n\n
Universidad de Alcal\u00e1Departamento de Filolog\u00eda, Comunicaci\u00f3n y Documentaci\u00f3n<\/p>\n<\/div>\n\n\n\n
Ana Casas is an Associate Professor of Spanish Literature at the University of Alcal\u00e1. As a specialist in contemporary narratives, she is the author, among others works, of the monographs El cuento espa\u00f1ol en la posguerra. Presencia del relato breve en las revistas literarias<\/em> [The Spanish Short Story in the Postwar Period. (2007)] and Voces de lo fant\u00e1stico en la narrativa espa\u00f1ola contempor\u00e1nea<\/em> [Voices of the fantastic in contemporary Spanish narrative (with David Roas, 2016)]. She is also the editor of La autoficci\u00f3n. Reflexiones te\u00f3ricas<\/em> [Autofiction. Theoretical reflections (2012)], El yo fabulado. Nuevas aproximaciones cr\u00edticas a la autoficci\u00f3n<\/em> [The fabled self. New critical approaches to autofiction (2014)], El autor a escena. Intermedialidad y autoficci\u00f3n<\/em> [The author on stage. Intermediality and autofiction (2017)] and Pensar lo real: autoficci\u00f3n y discurso cr\u00edtico<\/em> [Thinking the real: autofiction and critical discourse (with Anna Forn\u00e9, 2022)]. She belongs to the GEF (Fantastic Studies Group, at Autonomous University of Barcelona) and the Contemporary Literature Research Group-GILCO (University of Alcal\u00e1). She is the head editor of Pasavento. Journal of Hispanic Studie<\/em>s (https:\/\/erevistas.publicaciones.uah.es\/ojs\/index.php\/pasavento\/<\/a>).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Diana Diaconu \u2013 Universidad Nacional de Colombia (Colombia)<\/button><\/h2>\n\n\n\nProf. Dr. Diana Diaconu<\/strong><\/p>\n\n\n\nBogot\u00e1Colombia<\/p>\n\n\n\nUniversidad Nacional de ColombiaDepartamento de Literatura<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Friederike Eigler \u2013 Georgetown University (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Friederike Eigler<\/strong><\/p>\n\n\n\nWashingtonUSA<\/p>\n\n\n\nGeorgetown University<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Gabriel Giorgi \u2013 New York (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Gabriel Giorgi<\/strong><\/p>\n\n\n\nNew YorkUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Orlando Grossegesse \u2013 Universidade do Minho (Portugal)<\/button><\/h2>\n\n\n\nProf. Dr. Orlando Grossegesse<\/strong><\/p>\n\n\n\nBragaPortugal<\/p>\n\n\n\nUniversidade do Minho<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nOrlando Grossegesse studied Romance philology at the LMU in Munich from 1981 to 1986 with a focus on Hispanic and Lusitanian studies as well as communication sciences. Since 1990 he has worked at the Universidade do Minho (Braga, Portugal), where he founded the German department. His teaching and research topics include the diverse relationships between German-speaking and Lusophone cultures and literatures in the 19th century and up to the present. Studies on literary translation play an important role (e.g<\/em>. Ilse Losa, Albert Vigoleis Thelen, Curt Meyer-Clason), in the context of migration and the mediation of foreign-language literature to the public in German-speaking countries.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Michael Hagner \u2013 ETH Z\u00fcrich (Switzerland)<\/button><\/h2>\n\n\n\nProf. Dr. Michael Hagner<\/strong><\/p>\n\n\n\nZ\u00fcrichSwitzerland<\/p>\n\n\n\nETH Z\u00fcrich<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMichael Hagner is currently working on a book that brings together published and unpublished essays arguing that transformations in book culture and larger transformations in society, science, and culture are mutually dependent. The book will be published under the title \u201eDie moralische \u00d6konomie des Buches\u201c.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Katharina Lobinger \u2013 Universit\u00e0 della Svizzera italiana (Switzerland)<\/button><\/h2>\n\n\n\nProf. Dr. Katharina Lobinger<\/strong><\/p>\n\n\n\nLuganoSwitzerland<\/p>\n\n\n\nUniversit\u00e0 della Svizzera italiana<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Ilse Logie \u2013 Universiteit Gent (Belgium)<\/button><\/h2>\n\n\n\nProf. Dr. Ilse Logie<\/strong><\/p>\n\n\n\nGentBelgium<\/p>\n\n\n\nUniversiteit GentDepartment of Literary Studies<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nIlse Logie is a Professor of Latin American Studies at Ghent University (Department of Literary Studies). A first topic that is central to her work is related to the production, circulation and reception of contemporary Latin American literature in global markets. She is the chair of the Research Group \u201cCentre for Literature in translation\u201d (CLIV, Ghent University and University of Brussels). The group\u2019s research objectives focus on the role of translation in the cultural transfer of knowledge, ideas, ideologies, norms and values as well as aesthetic procedures in fiction and non-fiction. In the examined corpora, this transfer and reinterpretation of cultural codes mainly manifests itself in a poetics of multilingualism and interculturality.<\/p>\n\n\n\nHer second field of research deals with the representation of different types of violence within contemporary Latin American narratives (especially in Argentina and Chile), on which she has produced numerous publications.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Annick Louis \u2013 Franche Comt\u00e9 | Paris (France)<\/button><\/h2>\n\n\n\nProf. Dr. Annick Louis<\/strong><\/p>\n\n\n\nFranche Comt\u00e9 | ParisFrance<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy work develops an epistemology of contemporary narratives situated between fiction and non-fiction, based on a comparative corpus, which includes the Americas and Western Europe. This type of \u201ccross-bordering\u201d narrative is increasingly popular with specialized and non-specialized audiences and nowadays represents a vast international and globalized production, in which different literary traditions are present. I\u2019m particularly interested in the direct and indirect effects and impacts which works that blur the boundaries between fiction and non-fiction have in the contemporary world.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Christine Magerski \u2013 Sveu\u010dili\u0161te u Zagrebu (Croatia)<\/button><\/h2>\n\n\n\nProf. Dr. Christine Magerski<\/strong><\/p>\n\n\n\nZagrebCroatia<\/p>\n\n\n\nSveu\u010dili\u0161te u ZagrebuGermanistische Abteilung<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nChristine Magerski holds the Chair of German Literature at the University of Zagreb. After her Master\u2019s in Comparative Literature and History at Free University of Berlin, she worked on her dissertation at Monash University\/Melbourne on the beginning of the sociology of literature in Germany in the late 20th century. Already in this context, she was focused on examining the interconnection between literature and society. At the Wissenschaftskolleg of Berlin as well as at University of Zagreb, she researched the social and cultural history of modernity with special consideration of the avant-garde and subcultural movements. Her research on literary sociology revolves around questions of socio-cultural self-description with special emphasis on the creative class and its (self)publicity. Christine Magerski is currently working on a monograph on images of society in literature and sociology of the 20th century. She lives with her family in Zagreb and in Berlin.<\/p>\n\n\n\nMonographs on the topic of literature, society and the public sphere:<\/p>\n\n\n\nDie Konstituierung des literarischen Feldes in Deutschland nach 1871. Berliner Moderne, Literaturkritik und die Anf\u00e4nge der Literatursoziologie<\/em>, T\u00fcbingen: Niemeyer 2004; Gelebte Ambivalenz.<\/em><\/p>\n\n\n\nDie Boheme als Prototyp der Moderne<\/em>. Wiesbaden: Springer VS 2015.<\/p>\n\n\n\nLiteratursoziologie. Grundlagen, Problemstellungen und Theorien<\/em>. Zusammen mit Christa Karpenstein-E\u00dfbach, Wiesbaden: Springer VS 2019; Umgekehrte Mimesis. Bausteine einer Geschichte der K\u00fcnstlichkeit<\/em>. Zusammen mit David Roberts, Weilerswist: Velbr\u00fcck 2023.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Mark McGurl \u2013 Stanford (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Mark McGurl<\/strong><\/p>\n\n\n\nStanfordUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Volker Mergenthaler \u2013 Marburg University (Germany)<\/button><\/h2>\n\n\n\nProf. Dr. Volker Mergenthaler<\/strong><\/p>\n\n\n\nMarburg Germany<\/p>\n\n\n\nMarburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\nhttps:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Prof. Dr. Diana Diaconu<\/strong><\/p>\n\n\n\nBogot\u00e1Colombia<\/p>\n\n\n\nUniversidad Nacional de ColombiaDepartamento de Literatura<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Friederike Eigler \u2013 Georgetown University (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Friederike Eigler<\/strong><\/p>\n\n\n\nWashingtonUSA<\/p>\n\n\n\nGeorgetown University<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Gabriel Giorgi \u2013 New York (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Gabriel Giorgi<\/strong><\/p>\n\n\n\nNew YorkUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Orlando Grossegesse \u2013 Universidade do Minho (Portugal)<\/button><\/h2>\n\n\n\nProf. Dr. Orlando Grossegesse<\/strong><\/p>\n\n\n\nBragaPortugal<\/p>\n\n\n\nUniversidade do Minho<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nOrlando Grossegesse studied Romance philology at the LMU in Munich from 1981 to 1986 with a focus on Hispanic and Lusitanian studies as well as communication sciences. Since 1990 he has worked at the Universidade do Minho (Braga, Portugal), where he founded the German department. His teaching and research topics include the diverse relationships between German-speaking and Lusophone cultures and literatures in the 19th century and up to the present. Studies on literary translation play an important role (e.g<\/em>. Ilse Losa, Albert Vigoleis Thelen, Curt Meyer-Clason), in the context of migration and the mediation of foreign-language literature to the public in German-speaking countries.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Michael Hagner \u2013 ETH Z\u00fcrich (Switzerland)<\/button><\/h2>\n\n\n\nProf. Dr. Michael Hagner<\/strong><\/p>\n\n\n\nZ\u00fcrichSwitzerland<\/p>\n\n\n\nETH Z\u00fcrich<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMichael Hagner is currently working on a book that brings together published and unpublished essays arguing that transformations in book culture and larger transformations in society, science, and culture are mutually dependent. The book will be published under the title \u201eDie moralische \u00d6konomie des Buches\u201c.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Katharina Lobinger \u2013 Universit\u00e0 della Svizzera italiana (Switzerland)<\/button><\/h2>\n\n\n\nProf. Dr. Katharina Lobinger<\/strong><\/p>\n\n\n\nLuganoSwitzerland<\/p>\n\n\n\nUniversit\u00e0 della Svizzera italiana<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Ilse Logie \u2013 Universiteit Gent (Belgium)<\/button><\/h2>\n\n\n\nProf. Dr. Ilse Logie<\/strong><\/p>\n\n\n\nGentBelgium<\/p>\n\n\n\nUniversiteit GentDepartment of Literary Studies<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nIlse Logie is a Professor of Latin American Studies at Ghent University (Department of Literary Studies). A first topic that is central to her work is related to the production, circulation and reception of contemporary Latin American literature in global markets. She is the chair of the Research Group \u201cCentre for Literature in translation\u201d (CLIV, Ghent University and University of Brussels). The group\u2019s research objectives focus on the role of translation in the cultural transfer of knowledge, ideas, ideologies, norms and values as well as aesthetic procedures in fiction and non-fiction. In the examined corpora, this transfer and reinterpretation of cultural codes mainly manifests itself in a poetics of multilingualism and interculturality.<\/p>\n\n\n\nHer second field of research deals with the representation of different types of violence within contemporary Latin American narratives (especially in Argentina and Chile), on which she has produced numerous publications.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Annick Louis \u2013 Franche Comt\u00e9 | Paris (France)<\/button><\/h2>\n\n\n\nProf. Dr. Annick Louis<\/strong><\/p>\n\n\n\nFranche Comt\u00e9 | ParisFrance<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy work develops an epistemology of contemporary narratives situated between fiction and non-fiction, based on a comparative corpus, which includes the Americas and Western Europe. This type of \u201ccross-bordering\u201d narrative is increasingly popular with specialized and non-specialized audiences and nowadays represents a vast international and globalized production, in which different literary traditions are present. I\u2019m particularly interested in the direct and indirect effects and impacts which works that blur the boundaries between fiction and non-fiction have in the contemporary world.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Christine Magerski \u2013 Sveu\u010dili\u0161te u Zagrebu (Croatia)<\/button><\/h2>\n\n\n\nProf. Dr. Christine Magerski<\/strong><\/p>\n\n\n\nZagrebCroatia<\/p>\n\n\n\nSveu\u010dili\u0161te u ZagrebuGermanistische Abteilung<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nChristine Magerski holds the Chair of German Literature at the University of Zagreb. After her Master\u2019s in Comparative Literature and History at Free University of Berlin, she worked on her dissertation at Monash University\/Melbourne on the beginning of the sociology of literature in Germany in the late 20th century. Already in this context, she was focused on examining the interconnection between literature and society. At the Wissenschaftskolleg of Berlin as well as at University of Zagreb, she researched the social and cultural history of modernity with special consideration of the avant-garde and subcultural movements. Her research on literary sociology revolves around questions of socio-cultural self-description with special emphasis on the creative class and its (self)publicity. Christine Magerski is currently working on a monograph on images of society in literature and sociology of the 20th century. She lives with her family in Zagreb and in Berlin.<\/p>\n\n\n\nMonographs on the topic of literature, society and the public sphere:<\/p>\n\n\n\nDie Konstituierung des literarischen Feldes in Deutschland nach 1871. Berliner Moderne, Literaturkritik und die Anf\u00e4nge der Literatursoziologie<\/em>, T\u00fcbingen: Niemeyer 2004; Gelebte Ambivalenz.<\/em><\/p>\n\n\n\nDie Boheme als Prototyp der Moderne<\/em>. Wiesbaden: Springer VS 2015.<\/p>\n\n\n\nLiteratursoziologie. Grundlagen, Problemstellungen und Theorien<\/em>. Zusammen mit Christa Karpenstein-E\u00dfbach, Wiesbaden: Springer VS 2019; Umgekehrte Mimesis. Bausteine einer Geschichte der K\u00fcnstlichkeit<\/em>. Zusammen mit David Roberts, Weilerswist: Velbr\u00fcck 2023.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Mark McGurl \u2013 Stanford (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Mark McGurl<\/strong><\/p>\n\n\n\nStanfordUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Volker Mergenthaler \u2013 Marburg University (Germany)<\/button><\/h2>\n\n\n\nProf. Dr. Volker Mergenthaler<\/strong><\/p>\n\n\n\nMarburg Germany<\/p>\n\n\n\nMarburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\nhttps:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Bogot\u00e1Colombia<\/p>\n\n\n\n
Universidad Nacional de ColombiaDepartamento de Literatura<\/p>\n<\/div>\n\n\n\n
Prof. Dr. Friederike Eigler<\/strong><\/p>\n\n\n\nWashingtonUSA<\/p>\n\n\n\nGeorgetown University<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Gabriel Giorgi \u2013 New York (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Gabriel Giorgi<\/strong><\/p>\n\n\n\nNew YorkUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Orlando Grossegesse \u2013 Universidade do Minho (Portugal)<\/button><\/h2>\n\n\n\nProf. Dr. Orlando Grossegesse<\/strong><\/p>\n\n\n\nBragaPortugal<\/p>\n\n\n\nUniversidade do Minho<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nOrlando Grossegesse studied Romance philology at the LMU in Munich from 1981 to 1986 with a focus on Hispanic and Lusitanian studies as well as communication sciences. Since 1990 he has worked at the Universidade do Minho (Braga, Portugal), where he founded the German department. His teaching and research topics include the diverse relationships between German-speaking and Lusophone cultures and literatures in the 19th century and up to the present. Studies on literary translation play an important role (e.g<\/em>. Ilse Losa, Albert Vigoleis Thelen, Curt Meyer-Clason), in the context of migration and the mediation of foreign-language literature to the public in German-speaking countries.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Michael Hagner \u2013 ETH Z\u00fcrich (Switzerland)<\/button><\/h2>\n\n\n\nProf. Dr. Michael Hagner<\/strong><\/p>\n\n\n\nZ\u00fcrichSwitzerland<\/p>\n\n\n\nETH Z\u00fcrich<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMichael Hagner is currently working on a book that brings together published and unpublished essays arguing that transformations in book culture and larger transformations in society, science, and culture are mutually dependent. The book will be published under the title \u201eDie moralische \u00d6konomie des Buches\u201c.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Katharina Lobinger \u2013 Universit\u00e0 della Svizzera italiana (Switzerland)<\/button><\/h2>\n\n\n\nProf. Dr. Katharina Lobinger<\/strong><\/p>\n\n\n\nLuganoSwitzerland<\/p>\n\n\n\nUniversit\u00e0 della Svizzera italiana<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Ilse Logie \u2013 Universiteit Gent (Belgium)<\/button><\/h2>\n\n\n\nProf. Dr. Ilse Logie<\/strong><\/p>\n\n\n\nGentBelgium<\/p>\n\n\n\nUniversiteit GentDepartment of Literary Studies<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nIlse Logie is a Professor of Latin American Studies at Ghent University (Department of Literary Studies). A first topic that is central to her work is related to the production, circulation and reception of contemporary Latin American literature in global markets. She is the chair of the Research Group \u201cCentre for Literature in translation\u201d (CLIV, Ghent University and University of Brussels). The group\u2019s research objectives focus on the role of translation in the cultural transfer of knowledge, ideas, ideologies, norms and values as well as aesthetic procedures in fiction and non-fiction. In the examined corpora, this transfer and reinterpretation of cultural codes mainly manifests itself in a poetics of multilingualism and interculturality.<\/p>\n\n\n\nHer second field of research deals with the representation of different types of violence within contemporary Latin American narratives (especially in Argentina and Chile), on which she has produced numerous publications.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Annick Louis \u2013 Franche Comt\u00e9 | Paris (France)<\/button><\/h2>\n\n\n\nProf. Dr. Annick Louis<\/strong><\/p>\n\n\n\nFranche Comt\u00e9 | ParisFrance<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy work develops an epistemology of contemporary narratives situated between fiction and non-fiction, based on a comparative corpus, which includes the Americas and Western Europe. This type of \u201ccross-bordering\u201d narrative is increasingly popular with specialized and non-specialized audiences and nowadays represents a vast international and globalized production, in which different literary traditions are present. I\u2019m particularly interested in the direct and indirect effects and impacts which works that blur the boundaries between fiction and non-fiction have in the contemporary world.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Christine Magerski \u2013 Sveu\u010dili\u0161te u Zagrebu (Croatia)<\/button><\/h2>\n\n\n\nProf. Dr. Christine Magerski<\/strong><\/p>\n\n\n\nZagrebCroatia<\/p>\n\n\n\nSveu\u010dili\u0161te u ZagrebuGermanistische Abteilung<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nChristine Magerski holds the Chair of German Literature at the University of Zagreb. After her Master\u2019s in Comparative Literature and History at Free University of Berlin, she worked on her dissertation at Monash University\/Melbourne on the beginning of the sociology of literature in Germany in the late 20th century. Already in this context, she was focused on examining the interconnection between literature and society. At the Wissenschaftskolleg of Berlin as well as at University of Zagreb, she researched the social and cultural history of modernity with special consideration of the avant-garde and subcultural movements. Her research on literary sociology revolves around questions of socio-cultural self-description with special emphasis on the creative class and its (self)publicity. Christine Magerski is currently working on a monograph on images of society in literature and sociology of the 20th century. She lives with her family in Zagreb and in Berlin.<\/p>\n\n\n\nMonographs on the topic of literature, society and the public sphere:<\/p>\n\n\n\nDie Konstituierung des literarischen Feldes in Deutschland nach 1871. Berliner Moderne, Literaturkritik und die Anf\u00e4nge der Literatursoziologie<\/em>, T\u00fcbingen: Niemeyer 2004; Gelebte Ambivalenz.<\/em><\/p>\n\n\n\nDie Boheme als Prototyp der Moderne<\/em>. Wiesbaden: Springer VS 2015.<\/p>\n\n\n\nLiteratursoziologie. Grundlagen, Problemstellungen und Theorien<\/em>. Zusammen mit Christa Karpenstein-E\u00dfbach, Wiesbaden: Springer VS 2019; Umgekehrte Mimesis. Bausteine einer Geschichte der K\u00fcnstlichkeit<\/em>. Zusammen mit David Roberts, Weilerswist: Velbr\u00fcck 2023.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Mark McGurl \u2013 Stanford (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Mark McGurl<\/strong><\/p>\n\n\n\nStanfordUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Volker Mergenthaler \u2013 Marburg University (Germany)<\/button><\/h2>\n\n\n\nProf. Dr. Volker Mergenthaler<\/strong><\/p>\n\n\n\nMarburg Germany<\/p>\n\n\n\nMarburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\nhttps:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
WashingtonUSA<\/p>\n\n\n\n
Georgetown University<\/p>\n<\/div>\n\n\n\n
Prof. Dr. Gabriel Giorgi<\/strong><\/p>\n\n\n\nNew YorkUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Orlando Grossegesse \u2013 Universidade do Minho (Portugal)<\/button><\/h2>\n\n\n\nProf. Dr. Orlando Grossegesse<\/strong><\/p>\n\n\n\nBragaPortugal<\/p>\n\n\n\nUniversidade do Minho<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nOrlando Grossegesse studied Romance philology at the LMU in Munich from 1981 to 1986 with a focus on Hispanic and Lusitanian studies as well as communication sciences. Since 1990 he has worked at the Universidade do Minho (Braga, Portugal), where he founded the German department. His teaching and research topics include the diverse relationships between German-speaking and Lusophone cultures and literatures in the 19th century and up to the present. Studies on literary translation play an important role (e.g<\/em>. Ilse Losa, Albert Vigoleis Thelen, Curt Meyer-Clason), in the context of migration and the mediation of foreign-language literature to the public in German-speaking countries.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Michael Hagner \u2013 ETH Z\u00fcrich (Switzerland)<\/button><\/h2>\n\n\n\nProf. Dr. Michael Hagner<\/strong><\/p>\n\n\n\nZ\u00fcrichSwitzerland<\/p>\n\n\n\nETH Z\u00fcrich<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMichael Hagner is currently working on a book that brings together published and unpublished essays arguing that transformations in book culture and larger transformations in society, science, and culture are mutually dependent. The book will be published under the title \u201eDie moralische \u00d6konomie des Buches\u201c.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Katharina Lobinger \u2013 Universit\u00e0 della Svizzera italiana (Switzerland)<\/button><\/h2>\n\n\n\nProf. Dr. Katharina Lobinger<\/strong><\/p>\n\n\n\nLuganoSwitzerland<\/p>\n\n\n\nUniversit\u00e0 della Svizzera italiana<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Ilse Logie \u2013 Universiteit Gent (Belgium)<\/button><\/h2>\n\n\n\nProf. Dr. Ilse Logie<\/strong><\/p>\n\n\n\nGentBelgium<\/p>\n\n\n\nUniversiteit GentDepartment of Literary Studies<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nIlse Logie is a Professor of Latin American Studies at Ghent University (Department of Literary Studies). A first topic that is central to her work is related to the production, circulation and reception of contemporary Latin American literature in global markets. She is the chair of the Research Group \u201cCentre for Literature in translation\u201d (CLIV, Ghent University and University of Brussels). The group\u2019s research objectives focus on the role of translation in the cultural transfer of knowledge, ideas, ideologies, norms and values as well as aesthetic procedures in fiction and non-fiction. In the examined corpora, this transfer and reinterpretation of cultural codes mainly manifests itself in a poetics of multilingualism and interculturality.<\/p>\n\n\n\nHer second field of research deals with the representation of different types of violence within contemporary Latin American narratives (especially in Argentina and Chile), on which she has produced numerous publications.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Annick Louis \u2013 Franche Comt\u00e9 | Paris (France)<\/button><\/h2>\n\n\n\nProf. Dr. Annick Louis<\/strong><\/p>\n\n\n\nFranche Comt\u00e9 | ParisFrance<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy work develops an epistemology of contemporary narratives situated between fiction and non-fiction, based on a comparative corpus, which includes the Americas and Western Europe. This type of \u201ccross-bordering\u201d narrative is increasingly popular with specialized and non-specialized audiences and nowadays represents a vast international and globalized production, in which different literary traditions are present. I\u2019m particularly interested in the direct and indirect effects and impacts which works that blur the boundaries between fiction and non-fiction have in the contemporary world.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Christine Magerski \u2013 Sveu\u010dili\u0161te u Zagrebu (Croatia)<\/button><\/h2>\n\n\n\nProf. Dr. Christine Magerski<\/strong><\/p>\n\n\n\nZagrebCroatia<\/p>\n\n\n\nSveu\u010dili\u0161te u ZagrebuGermanistische Abteilung<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nChristine Magerski holds the Chair of German Literature at the University of Zagreb. After her Master\u2019s in Comparative Literature and History at Free University of Berlin, she worked on her dissertation at Monash University\/Melbourne on the beginning of the sociology of literature in Germany in the late 20th century. Already in this context, she was focused on examining the interconnection between literature and society. At the Wissenschaftskolleg of Berlin as well as at University of Zagreb, she researched the social and cultural history of modernity with special consideration of the avant-garde and subcultural movements. Her research on literary sociology revolves around questions of socio-cultural self-description with special emphasis on the creative class and its (self)publicity. Christine Magerski is currently working on a monograph on images of society in literature and sociology of the 20th century. She lives with her family in Zagreb and in Berlin.<\/p>\n\n\n\nMonographs on the topic of literature, society and the public sphere:<\/p>\n\n\n\nDie Konstituierung des literarischen Feldes in Deutschland nach 1871. Berliner Moderne, Literaturkritik und die Anf\u00e4nge der Literatursoziologie<\/em>, T\u00fcbingen: Niemeyer 2004; Gelebte Ambivalenz.<\/em><\/p>\n\n\n\nDie Boheme als Prototyp der Moderne<\/em>. Wiesbaden: Springer VS 2015.<\/p>\n\n\n\nLiteratursoziologie. Grundlagen, Problemstellungen und Theorien<\/em>. Zusammen mit Christa Karpenstein-E\u00dfbach, Wiesbaden: Springer VS 2019; Umgekehrte Mimesis. Bausteine einer Geschichte der K\u00fcnstlichkeit<\/em>. Zusammen mit David Roberts, Weilerswist: Velbr\u00fcck 2023.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Mark McGurl \u2013 Stanford (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Mark McGurl<\/strong><\/p>\n\n\n\nStanfordUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Volker Mergenthaler \u2013 Marburg University (Germany)<\/button><\/h2>\n\n\n\nProf. Dr. Volker Mergenthaler<\/strong><\/p>\n\n\n\nMarburg Germany<\/p>\n\n\n\nMarburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\nhttps:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
New YorkUSA<\/p>\n<\/div>\n\n\n\n
Prof. Dr. Orlando Grossegesse<\/strong><\/p>\n\n\n\nBragaPortugal<\/p>\n\n\n\nUniversidade do Minho<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nOrlando Grossegesse studied Romance philology at the LMU in Munich from 1981 to 1986 with a focus on Hispanic and Lusitanian studies as well as communication sciences. Since 1990 he has worked at the Universidade do Minho (Braga, Portugal), where he founded the German department. His teaching and research topics include the diverse relationships between German-speaking and Lusophone cultures and literatures in the 19th century and up to the present. Studies on literary translation play an important role (e.g<\/em>. Ilse Losa, Albert Vigoleis Thelen, Curt Meyer-Clason), in the context of migration and the mediation of foreign-language literature to the public in German-speaking countries.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Michael Hagner \u2013 ETH Z\u00fcrich (Switzerland)<\/button><\/h2>\n\n\n\nProf. Dr. Michael Hagner<\/strong><\/p>\n\n\n\nZ\u00fcrichSwitzerland<\/p>\n\n\n\nETH Z\u00fcrich<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMichael Hagner is currently working on a book that brings together published and unpublished essays arguing that transformations in book culture and larger transformations in society, science, and culture are mutually dependent. The book will be published under the title \u201eDie moralische \u00d6konomie des Buches\u201c.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Katharina Lobinger \u2013 Universit\u00e0 della Svizzera italiana (Switzerland)<\/button><\/h2>\n\n\n\nProf. Dr. Katharina Lobinger<\/strong><\/p>\n\n\n\nLuganoSwitzerland<\/p>\n\n\n\nUniversit\u00e0 della Svizzera italiana<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Ilse Logie \u2013 Universiteit Gent (Belgium)<\/button><\/h2>\n\n\n\nProf. Dr. Ilse Logie<\/strong><\/p>\n\n\n\nGentBelgium<\/p>\n\n\n\nUniversiteit GentDepartment of Literary Studies<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nIlse Logie is a Professor of Latin American Studies at Ghent University (Department of Literary Studies). A first topic that is central to her work is related to the production, circulation and reception of contemporary Latin American literature in global markets. She is the chair of the Research Group \u201cCentre for Literature in translation\u201d (CLIV, Ghent University and University of Brussels). The group\u2019s research objectives focus on the role of translation in the cultural transfer of knowledge, ideas, ideologies, norms and values as well as aesthetic procedures in fiction and non-fiction. In the examined corpora, this transfer and reinterpretation of cultural codes mainly manifests itself in a poetics of multilingualism and interculturality.<\/p>\n\n\n\nHer second field of research deals with the representation of different types of violence within contemporary Latin American narratives (especially in Argentina and Chile), on which she has produced numerous publications.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Annick Louis \u2013 Franche Comt\u00e9 | Paris (France)<\/button><\/h2>\n\n\n\nProf. Dr. Annick Louis<\/strong><\/p>\n\n\n\nFranche Comt\u00e9 | ParisFrance<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy work develops an epistemology of contemporary narratives situated between fiction and non-fiction, based on a comparative corpus, which includes the Americas and Western Europe. This type of \u201ccross-bordering\u201d narrative is increasingly popular with specialized and non-specialized audiences and nowadays represents a vast international and globalized production, in which different literary traditions are present. I\u2019m particularly interested in the direct and indirect effects and impacts which works that blur the boundaries between fiction and non-fiction have in the contemporary world.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Christine Magerski \u2013 Sveu\u010dili\u0161te u Zagrebu (Croatia)<\/button><\/h2>\n\n\n\nProf. Dr. Christine Magerski<\/strong><\/p>\n\n\n\nZagrebCroatia<\/p>\n\n\n\nSveu\u010dili\u0161te u ZagrebuGermanistische Abteilung<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nChristine Magerski holds the Chair of German Literature at the University of Zagreb. After her Master\u2019s in Comparative Literature and History at Free University of Berlin, she worked on her dissertation at Monash University\/Melbourne on the beginning of the sociology of literature in Germany in the late 20th century. Already in this context, she was focused on examining the interconnection between literature and society. At the Wissenschaftskolleg of Berlin as well as at University of Zagreb, she researched the social and cultural history of modernity with special consideration of the avant-garde and subcultural movements. Her research on literary sociology revolves around questions of socio-cultural self-description with special emphasis on the creative class and its (self)publicity. Christine Magerski is currently working on a monograph on images of society in literature and sociology of the 20th century. She lives with her family in Zagreb and in Berlin.<\/p>\n\n\n\nMonographs on the topic of literature, society and the public sphere:<\/p>\n\n\n\nDie Konstituierung des literarischen Feldes in Deutschland nach 1871. Berliner Moderne, Literaturkritik und die Anf\u00e4nge der Literatursoziologie<\/em>, T\u00fcbingen: Niemeyer 2004; Gelebte Ambivalenz.<\/em><\/p>\n\n\n\nDie Boheme als Prototyp der Moderne<\/em>. Wiesbaden: Springer VS 2015.<\/p>\n\n\n\nLiteratursoziologie. Grundlagen, Problemstellungen und Theorien<\/em>. Zusammen mit Christa Karpenstein-E\u00dfbach, Wiesbaden: Springer VS 2019; Umgekehrte Mimesis. Bausteine einer Geschichte der K\u00fcnstlichkeit<\/em>. Zusammen mit David Roberts, Weilerswist: Velbr\u00fcck 2023.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Mark McGurl \u2013 Stanford (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Mark McGurl<\/strong><\/p>\n\n\n\nStanfordUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Volker Mergenthaler \u2013 Marburg University (Germany)<\/button><\/h2>\n\n\n\nProf. Dr. Volker Mergenthaler<\/strong><\/p>\n\n\n\nMarburg Germany<\/p>\n\n\n\nMarburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\nhttps:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
BragaPortugal<\/p>\n\n\n\n
Universidade do Minho<\/p>\n<\/div>\n\n\n\n
Orlando Grossegesse studied Romance philology at the LMU in Munich from 1981 to 1986 with a focus on Hispanic and Lusitanian studies as well as communication sciences. Since 1990 he has worked at the Universidade do Minho (Braga, Portugal), where he founded the German department. His teaching and research topics include the diverse relationships between German-speaking and Lusophone cultures and literatures in the 19th century and up to the present. Studies on literary translation play an important role (e.g<\/em>. Ilse Losa, Albert Vigoleis Thelen, Curt Meyer-Clason), in the context of migration and the mediation of foreign-language literature to the public in German-speaking countries.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Michael Hagner \u2013 ETH Z\u00fcrich (Switzerland)<\/button><\/h2>\n\n\n\nProf. Dr. Michael Hagner<\/strong><\/p>\n\n\n\nZ\u00fcrichSwitzerland<\/p>\n\n\n\nETH Z\u00fcrich<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMichael Hagner is currently working on a book that brings together published and unpublished essays arguing that transformations in book culture and larger transformations in society, science, and culture are mutually dependent. The book will be published under the title \u201eDie moralische \u00d6konomie des Buches\u201c.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Katharina Lobinger \u2013 Universit\u00e0 della Svizzera italiana (Switzerland)<\/button><\/h2>\n\n\n\nProf. Dr. Katharina Lobinger<\/strong><\/p>\n\n\n\nLuganoSwitzerland<\/p>\n\n\n\nUniversit\u00e0 della Svizzera italiana<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Ilse Logie \u2013 Universiteit Gent (Belgium)<\/button><\/h2>\n\n\n\nProf. Dr. Ilse Logie<\/strong><\/p>\n\n\n\nGentBelgium<\/p>\n\n\n\nUniversiteit GentDepartment of Literary Studies<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nIlse Logie is a Professor of Latin American Studies at Ghent University (Department of Literary Studies). A first topic that is central to her work is related to the production, circulation and reception of contemporary Latin American literature in global markets. She is the chair of the Research Group \u201cCentre for Literature in translation\u201d (CLIV, Ghent University and University of Brussels). The group\u2019s research objectives focus on the role of translation in the cultural transfer of knowledge, ideas, ideologies, norms and values as well as aesthetic procedures in fiction and non-fiction. In the examined corpora, this transfer and reinterpretation of cultural codes mainly manifests itself in a poetics of multilingualism and interculturality.<\/p>\n\n\n\nHer second field of research deals with the representation of different types of violence within contemporary Latin American narratives (especially in Argentina and Chile), on which she has produced numerous publications.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Annick Louis \u2013 Franche Comt\u00e9 | Paris (France)<\/button><\/h2>\n\n\n\nProf. Dr. Annick Louis<\/strong><\/p>\n\n\n\nFranche Comt\u00e9 | ParisFrance<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy work develops an epistemology of contemporary narratives situated between fiction and non-fiction, based on a comparative corpus, which includes the Americas and Western Europe. This type of \u201ccross-bordering\u201d narrative is increasingly popular with specialized and non-specialized audiences and nowadays represents a vast international and globalized production, in which different literary traditions are present. I\u2019m particularly interested in the direct and indirect effects and impacts which works that blur the boundaries between fiction and non-fiction have in the contemporary world.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Christine Magerski \u2013 Sveu\u010dili\u0161te u Zagrebu (Croatia)<\/button><\/h2>\n\n\n\nProf. Dr. Christine Magerski<\/strong><\/p>\n\n\n\nZagrebCroatia<\/p>\n\n\n\nSveu\u010dili\u0161te u ZagrebuGermanistische Abteilung<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nChristine Magerski holds the Chair of German Literature at the University of Zagreb. After her Master\u2019s in Comparative Literature and History at Free University of Berlin, she worked on her dissertation at Monash University\/Melbourne on the beginning of the sociology of literature in Germany in the late 20th century. Already in this context, she was focused on examining the interconnection between literature and society. At the Wissenschaftskolleg of Berlin as well as at University of Zagreb, she researched the social and cultural history of modernity with special consideration of the avant-garde and subcultural movements. Her research on literary sociology revolves around questions of socio-cultural self-description with special emphasis on the creative class and its (self)publicity. Christine Magerski is currently working on a monograph on images of society in literature and sociology of the 20th century. She lives with her family in Zagreb and in Berlin.<\/p>\n\n\n\nMonographs on the topic of literature, society and the public sphere:<\/p>\n\n\n\nDie Konstituierung des literarischen Feldes in Deutschland nach 1871. Berliner Moderne, Literaturkritik und die Anf\u00e4nge der Literatursoziologie<\/em>, T\u00fcbingen: Niemeyer 2004; Gelebte Ambivalenz.<\/em><\/p>\n\n\n\nDie Boheme als Prototyp der Moderne<\/em>. Wiesbaden: Springer VS 2015.<\/p>\n\n\n\nLiteratursoziologie. Grundlagen, Problemstellungen und Theorien<\/em>. Zusammen mit Christa Karpenstein-E\u00dfbach, Wiesbaden: Springer VS 2019; Umgekehrte Mimesis. Bausteine einer Geschichte der K\u00fcnstlichkeit<\/em>. Zusammen mit David Roberts, Weilerswist: Velbr\u00fcck 2023.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Mark McGurl \u2013 Stanford (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Mark McGurl<\/strong><\/p>\n\n\n\nStanfordUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Volker Mergenthaler \u2013 Marburg University (Germany)<\/button><\/h2>\n\n\n\nProf. Dr. Volker Mergenthaler<\/strong><\/p>\n\n\n\nMarburg Germany<\/p>\n\n\n\nMarburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\nhttps:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Prof. Dr. Michael Hagner<\/strong><\/p>\n\n\n\nZ\u00fcrichSwitzerland<\/p>\n\n\n\nETH Z\u00fcrich<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMichael Hagner is currently working on a book that brings together published and unpublished essays arguing that transformations in book culture and larger transformations in society, science, and culture are mutually dependent. The book will be published under the title \u201eDie moralische \u00d6konomie des Buches\u201c.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Katharina Lobinger \u2013 Universit\u00e0 della Svizzera italiana (Switzerland)<\/button><\/h2>\n\n\n\nProf. Dr. Katharina Lobinger<\/strong><\/p>\n\n\n\nLuganoSwitzerland<\/p>\n\n\n\nUniversit\u00e0 della Svizzera italiana<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Ilse Logie \u2013 Universiteit Gent (Belgium)<\/button><\/h2>\n\n\n\nProf. Dr. Ilse Logie<\/strong><\/p>\n\n\n\nGentBelgium<\/p>\n\n\n\nUniversiteit GentDepartment of Literary Studies<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nIlse Logie is a Professor of Latin American Studies at Ghent University (Department of Literary Studies). A first topic that is central to her work is related to the production, circulation and reception of contemporary Latin American literature in global markets. She is the chair of the Research Group \u201cCentre for Literature in translation\u201d (CLIV, Ghent University and University of Brussels). The group\u2019s research objectives focus on the role of translation in the cultural transfer of knowledge, ideas, ideologies, norms and values as well as aesthetic procedures in fiction and non-fiction. In the examined corpora, this transfer and reinterpretation of cultural codes mainly manifests itself in a poetics of multilingualism and interculturality.<\/p>\n\n\n\nHer second field of research deals with the representation of different types of violence within contemporary Latin American narratives (especially in Argentina and Chile), on which she has produced numerous publications.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Annick Louis \u2013 Franche Comt\u00e9 | Paris (France)<\/button><\/h2>\n\n\n\nProf. Dr. Annick Louis<\/strong><\/p>\n\n\n\nFranche Comt\u00e9 | ParisFrance<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy work develops an epistemology of contemporary narratives situated between fiction and non-fiction, based on a comparative corpus, which includes the Americas and Western Europe. This type of \u201ccross-bordering\u201d narrative is increasingly popular with specialized and non-specialized audiences and nowadays represents a vast international and globalized production, in which different literary traditions are present. I\u2019m particularly interested in the direct and indirect effects and impacts which works that blur the boundaries between fiction and non-fiction have in the contemporary world.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Christine Magerski \u2013 Sveu\u010dili\u0161te u Zagrebu (Croatia)<\/button><\/h2>\n\n\n\nProf. Dr. Christine Magerski<\/strong><\/p>\n\n\n\nZagrebCroatia<\/p>\n\n\n\nSveu\u010dili\u0161te u ZagrebuGermanistische Abteilung<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nChristine Magerski holds the Chair of German Literature at the University of Zagreb. After her Master\u2019s in Comparative Literature and History at Free University of Berlin, she worked on her dissertation at Monash University\/Melbourne on the beginning of the sociology of literature in Germany in the late 20th century. Already in this context, she was focused on examining the interconnection between literature and society. At the Wissenschaftskolleg of Berlin as well as at University of Zagreb, she researched the social and cultural history of modernity with special consideration of the avant-garde and subcultural movements. Her research on literary sociology revolves around questions of socio-cultural self-description with special emphasis on the creative class and its (self)publicity. Christine Magerski is currently working on a monograph on images of society in literature and sociology of the 20th century. She lives with her family in Zagreb and in Berlin.<\/p>\n\n\n\nMonographs on the topic of literature, society and the public sphere:<\/p>\n\n\n\nDie Konstituierung des literarischen Feldes in Deutschland nach 1871. Berliner Moderne, Literaturkritik und die Anf\u00e4nge der Literatursoziologie<\/em>, T\u00fcbingen: Niemeyer 2004; Gelebte Ambivalenz.<\/em><\/p>\n\n\n\nDie Boheme als Prototyp der Moderne<\/em>. Wiesbaden: Springer VS 2015.<\/p>\n\n\n\nLiteratursoziologie. Grundlagen, Problemstellungen und Theorien<\/em>. Zusammen mit Christa Karpenstein-E\u00dfbach, Wiesbaden: Springer VS 2019; Umgekehrte Mimesis. Bausteine einer Geschichte der K\u00fcnstlichkeit<\/em>. Zusammen mit David Roberts, Weilerswist: Velbr\u00fcck 2023.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Mark McGurl \u2013 Stanford (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Mark McGurl<\/strong><\/p>\n\n\n\nStanfordUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Volker Mergenthaler \u2013 Marburg University (Germany)<\/button><\/h2>\n\n\n\nProf. Dr. Volker Mergenthaler<\/strong><\/p>\n\n\n\nMarburg Germany<\/p>\n\n\n\nMarburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\nhttps:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Z\u00fcrichSwitzerland<\/p>\n\n\n\n
ETH Z\u00fcrich<\/p>\n<\/div>\n\n\n\n
Michael Hagner is currently working on a book that brings together published and unpublished essays arguing that transformations in book culture and larger transformations in society, science, and culture are mutually dependent. The book will be published under the title \u201eDie moralische \u00d6konomie des Buches\u201c.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Prof. Dr. Katharina Lobinger<\/strong><\/p>\n\n\n\nLuganoSwitzerland<\/p>\n\n\n\nUniversit\u00e0 della Svizzera italiana<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Ilse Logie \u2013 Universiteit Gent (Belgium)<\/button><\/h2>\n\n\n\nProf. Dr. Ilse Logie<\/strong><\/p>\n\n\n\nGentBelgium<\/p>\n\n\n\nUniversiteit GentDepartment of Literary Studies<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nIlse Logie is a Professor of Latin American Studies at Ghent University (Department of Literary Studies). A first topic that is central to her work is related to the production, circulation and reception of contemporary Latin American literature in global markets. She is the chair of the Research Group \u201cCentre for Literature in translation\u201d (CLIV, Ghent University and University of Brussels). The group\u2019s research objectives focus on the role of translation in the cultural transfer of knowledge, ideas, ideologies, norms and values as well as aesthetic procedures in fiction and non-fiction. In the examined corpora, this transfer and reinterpretation of cultural codes mainly manifests itself in a poetics of multilingualism and interculturality.<\/p>\n\n\n\nHer second field of research deals with the representation of different types of violence within contemporary Latin American narratives (especially in Argentina and Chile), on which she has produced numerous publications.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Annick Louis \u2013 Franche Comt\u00e9 | Paris (France)<\/button><\/h2>\n\n\n\nProf. Dr. Annick Louis<\/strong><\/p>\n\n\n\nFranche Comt\u00e9 | ParisFrance<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy work develops an epistemology of contemporary narratives situated between fiction and non-fiction, based on a comparative corpus, which includes the Americas and Western Europe. This type of \u201ccross-bordering\u201d narrative is increasingly popular with specialized and non-specialized audiences and nowadays represents a vast international and globalized production, in which different literary traditions are present. I\u2019m particularly interested in the direct and indirect effects and impacts which works that blur the boundaries between fiction and non-fiction have in the contemporary world.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Christine Magerski \u2013 Sveu\u010dili\u0161te u Zagrebu (Croatia)<\/button><\/h2>\n\n\n\nProf. Dr. Christine Magerski<\/strong><\/p>\n\n\n\nZagrebCroatia<\/p>\n\n\n\nSveu\u010dili\u0161te u ZagrebuGermanistische Abteilung<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nChristine Magerski holds the Chair of German Literature at the University of Zagreb. After her Master\u2019s in Comparative Literature and History at Free University of Berlin, she worked on her dissertation at Monash University\/Melbourne on the beginning of the sociology of literature in Germany in the late 20th century. Already in this context, she was focused on examining the interconnection between literature and society. At the Wissenschaftskolleg of Berlin as well as at University of Zagreb, she researched the social and cultural history of modernity with special consideration of the avant-garde and subcultural movements. Her research on literary sociology revolves around questions of socio-cultural self-description with special emphasis on the creative class and its (self)publicity. Christine Magerski is currently working on a monograph on images of society in literature and sociology of the 20th century. She lives with her family in Zagreb and in Berlin.<\/p>\n\n\n\nMonographs on the topic of literature, society and the public sphere:<\/p>\n\n\n\nDie Konstituierung des literarischen Feldes in Deutschland nach 1871. Berliner Moderne, Literaturkritik und die Anf\u00e4nge der Literatursoziologie<\/em>, T\u00fcbingen: Niemeyer 2004; Gelebte Ambivalenz.<\/em><\/p>\n\n\n\nDie Boheme als Prototyp der Moderne<\/em>. Wiesbaden: Springer VS 2015.<\/p>\n\n\n\nLiteratursoziologie. Grundlagen, Problemstellungen und Theorien<\/em>. Zusammen mit Christa Karpenstein-E\u00dfbach, Wiesbaden: Springer VS 2019; Umgekehrte Mimesis. Bausteine einer Geschichte der K\u00fcnstlichkeit<\/em>. Zusammen mit David Roberts, Weilerswist: Velbr\u00fcck 2023.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Mark McGurl \u2013 Stanford (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Mark McGurl<\/strong><\/p>\n\n\n\nStanfordUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Volker Mergenthaler \u2013 Marburg University (Germany)<\/button><\/h2>\n\n\n\nProf. Dr. Volker Mergenthaler<\/strong><\/p>\n\n\n\nMarburg Germany<\/p>\n\n\n\nMarburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\nhttps:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
LuganoSwitzerland<\/p>\n\n\n\n
Universit\u00e0 della Svizzera italiana<\/p>\n<\/div>\n\n\n\n
Prof. Dr. Ilse Logie<\/strong><\/p>\n\n\n\nGentBelgium<\/p>\n\n\n\nUniversiteit GentDepartment of Literary Studies<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nIlse Logie is a Professor of Latin American Studies at Ghent University (Department of Literary Studies). A first topic that is central to her work is related to the production, circulation and reception of contemporary Latin American literature in global markets. She is the chair of the Research Group \u201cCentre for Literature in translation\u201d (CLIV, Ghent University and University of Brussels). The group\u2019s research objectives focus on the role of translation in the cultural transfer of knowledge, ideas, ideologies, norms and values as well as aesthetic procedures in fiction and non-fiction. In the examined corpora, this transfer and reinterpretation of cultural codes mainly manifests itself in a poetics of multilingualism and interculturality.<\/p>\n\n\n\nHer second field of research deals with the representation of different types of violence within contemporary Latin American narratives (especially in Argentina and Chile), on which she has produced numerous publications.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Annick Louis \u2013 Franche Comt\u00e9 | Paris (France)<\/button><\/h2>\n\n\n\nProf. Dr. Annick Louis<\/strong><\/p>\n\n\n\nFranche Comt\u00e9 | ParisFrance<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy work develops an epistemology of contemporary narratives situated between fiction and non-fiction, based on a comparative corpus, which includes the Americas and Western Europe. This type of \u201ccross-bordering\u201d narrative is increasingly popular with specialized and non-specialized audiences and nowadays represents a vast international and globalized production, in which different literary traditions are present. I\u2019m particularly interested in the direct and indirect effects and impacts which works that blur the boundaries between fiction and non-fiction have in the contemporary world.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Christine Magerski \u2013 Sveu\u010dili\u0161te u Zagrebu (Croatia)<\/button><\/h2>\n\n\n\nProf. Dr. Christine Magerski<\/strong><\/p>\n\n\n\nZagrebCroatia<\/p>\n\n\n\nSveu\u010dili\u0161te u ZagrebuGermanistische Abteilung<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nChristine Magerski holds the Chair of German Literature at the University of Zagreb. After her Master\u2019s in Comparative Literature and History at Free University of Berlin, she worked on her dissertation at Monash University\/Melbourne on the beginning of the sociology of literature in Germany in the late 20th century. Already in this context, she was focused on examining the interconnection between literature and society. At the Wissenschaftskolleg of Berlin as well as at University of Zagreb, she researched the social and cultural history of modernity with special consideration of the avant-garde and subcultural movements. Her research on literary sociology revolves around questions of socio-cultural self-description with special emphasis on the creative class and its (self)publicity. Christine Magerski is currently working on a monograph on images of society in literature and sociology of the 20th century. She lives with her family in Zagreb and in Berlin.<\/p>\n\n\n\nMonographs on the topic of literature, society and the public sphere:<\/p>\n\n\n\nDie Konstituierung des literarischen Feldes in Deutschland nach 1871. Berliner Moderne, Literaturkritik und die Anf\u00e4nge der Literatursoziologie<\/em>, T\u00fcbingen: Niemeyer 2004; Gelebte Ambivalenz.<\/em><\/p>\n\n\n\nDie Boheme als Prototyp der Moderne<\/em>. Wiesbaden: Springer VS 2015.<\/p>\n\n\n\nLiteratursoziologie. Grundlagen, Problemstellungen und Theorien<\/em>. Zusammen mit Christa Karpenstein-E\u00dfbach, Wiesbaden: Springer VS 2019; Umgekehrte Mimesis. Bausteine einer Geschichte der K\u00fcnstlichkeit<\/em>. Zusammen mit David Roberts, Weilerswist: Velbr\u00fcck 2023.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Mark McGurl \u2013 Stanford (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Mark McGurl<\/strong><\/p>\n\n\n\nStanfordUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Volker Mergenthaler \u2013 Marburg University (Germany)<\/button><\/h2>\n\n\n\nProf. Dr. Volker Mergenthaler<\/strong><\/p>\n\n\n\nMarburg Germany<\/p>\n\n\n\nMarburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\nhttps:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
GentBelgium<\/p>\n\n\n\n
Universiteit GentDepartment of Literary Studies<\/p>\n<\/div>\n\n\n\n
Ilse Logie is a Professor of Latin American Studies at Ghent University (Department of Literary Studies). A first topic that is central to her work is related to the production, circulation and reception of contemporary Latin American literature in global markets. She is the chair of the Research Group \u201cCentre for Literature in translation\u201d (CLIV, Ghent University and University of Brussels). The group\u2019s research objectives focus on the role of translation in the cultural transfer of knowledge, ideas, ideologies, norms and values as well as aesthetic procedures in fiction and non-fiction. In the examined corpora, this transfer and reinterpretation of cultural codes mainly manifests itself in a poetics of multilingualism and interculturality.<\/p>\n\n\n\n
Her second field of research deals with the representation of different types of violence within contemporary Latin American narratives (especially in Argentina and Chile), on which she has produced numerous publications.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Prof. Dr. Annick Louis<\/strong><\/p>\n\n\n\nFranche Comt\u00e9 | ParisFrance<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy work develops an epistemology of contemporary narratives situated between fiction and non-fiction, based on a comparative corpus, which includes the Americas and Western Europe. This type of \u201ccross-bordering\u201d narrative is increasingly popular with specialized and non-specialized audiences and nowadays represents a vast international and globalized production, in which different literary traditions are present. I\u2019m particularly interested in the direct and indirect effects and impacts which works that blur the boundaries between fiction and non-fiction have in the contemporary world.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Christine Magerski \u2013 Sveu\u010dili\u0161te u Zagrebu (Croatia)<\/button><\/h2>\n\n\n\nProf. Dr. Christine Magerski<\/strong><\/p>\n\n\n\nZagrebCroatia<\/p>\n\n\n\nSveu\u010dili\u0161te u ZagrebuGermanistische Abteilung<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nChristine Magerski holds the Chair of German Literature at the University of Zagreb. After her Master\u2019s in Comparative Literature and History at Free University of Berlin, she worked on her dissertation at Monash University\/Melbourne on the beginning of the sociology of literature in Germany in the late 20th century. Already in this context, she was focused on examining the interconnection between literature and society. At the Wissenschaftskolleg of Berlin as well as at University of Zagreb, she researched the social and cultural history of modernity with special consideration of the avant-garde and subcultural movements. Her research on literary sociology revolves around questions of socio-cultural self-description with special emphasis on the creative class and its (self)publicity. Christine Magerski is currently working on a monograph on images of society in literature and sociology of the 20th century. She lives with her family in Zagreb and in Berlin.<\/p>\n\n\n\nMonographs on the topic of literature, society and the public sphere:<\/p>\n\n\n\nDie Konstituierung des literarischen Feldes in Deutschland nach 1871. Berliner Moderne, Literaturkritik und die Anf\u00e4nge der Literatursoziologie<\/em>, T\u00fcbingen: Niemeyer 2004; Gelebte Ambivalenz.<\/em><\/p>\n\n\n\nDie Boheme als Prototyp der Moderne<\/em>. Wiesbaden: Springer VS 2015.<\/p>\n\n\n\nLiteratursoziologie. Grundlagen, Problemstellungen und Theorien<\/em>. Zusammen mit Christa Karpenstein-E\u00dfbach, Wiesbaden: Springer VS 2019; Umgekehrte Mimesis. Bausteine einer Geschichte der K\u00fcnstlichkeit<\/em>. Zusammen mit David Roberts, Weilerswist: Velbr\u00fcck 2023.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Mark McGurl \u2013 Stanford (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Mark McGurl<\/strong><\/p>\n\n\n\nStanfordUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Volker Mergenthaler \u2013 Marburg University (Germany)<\/button><\/h2>\n\n\n\nProf. Dr. Volker Mergenthaler<\/strong><\/p>\n\n\n\nMarburg Germany<\/p>\n\n\n\nMarburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\nhttps:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Franche Comt\u00e9 | ParisFrance<\/p>\n<\/div>\n\n\n\n
My work develops an epistemology of contemporary narratives situated between fiction and non-fiction, based on a comparative corpus, which includes the Americas and Western Europe. This type of \u201ccross-bordering\u201d narrative is increasingly popular with specialized and non-specialized audiences and nowadays represents a vast international and globalized production, in which different literary traditions are present. I\u2019m particularly interested in the direct and indirect effects and impacts which works that blur the boundaries between fiction and non-fiction have in the contemporary world.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Prof. Dr. Christine Magerski<\/strong><\/p>\n\n\n\nZagrebCroatia<\/p>\n\n\n\nSveu\u010dili\u0161te u ZagrebuGermanistische Abteilung<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nChristine Magerski holds the Chair of German Literature at the University of Zagreb. After her Master\u2019s in Comparative Literature and History at Free University of Berlin, she worked on her dissertation at Monash University\/Melbourne on the beginning of the sociology of literature in Germany in the late 20th century. Already in this context, she was focused on examining the interconnection between literature and society. At the Wissenschaftskolleg of Berlin as well as at University of Zagreb, she researched the social and cultural history of modernity with special consideration of the avant-garde and subcultural movements. Her research on literary sociology revolves around questions of socio-cultural self-description with special emphasis on the creative class and its (self)publicity. Christine Magerski is currently working on a monograph on images of society in literature and sociology of the 20th century. She lives with her family in Zagreb and in Berlin.<\/p>\n\n\n\nMonographs on the topic of literature, society and the public sphere:<\/p>\n\n\n\nDie Konstituierung des literarischen Feldes in Deutschland nach 1871. Berliner Moderne, Literaturkritik und die Anf\u00e4nge der Literatursoziologie<\/em>, T\u00fcbingen: Niemeyer 2004; Gelebte Ambivalenz.<\/em><\/p>\n\n\n\nDie Boheme als Prototyp der Moderne<\/em>. Wiesbaden: Springer VS 2015.<\/p>\n\n\n\nLiteratursoziologie. Grundlagen, Problemstellungen und Theorien<\/em>. Zusammen mit Christa Karpenstein-E\u00dfbach, Wiesbaden: Springer VS 2019; Umgekehrte Mimesis. Bausteine einer Geschichte der K\u00fcnstlichkeit<\/em>. Zusammen mit David Roberts, Weilerswist: Velbr\u00fcck 2023.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Mark McGurl \u2013 Stanford (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Mark McGurl<\/strong><\/p>\n\n\n\nStanfordUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Volker Mergenthaler \u2013 Marburg University (Germany)<\/button><\/h2>\n\n\n\nProf. Dr. Volker Mergenthaler<\/strong><\/p>\n\n\n\nMarburg Germany<\/p>\n\n\n\nMarburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\nhttps:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
ZagrebCroatia<\/p>\n\n\n\n
Sveu\u010dili\u0161te u ZagrebuGermanistische Abteilung<\/p>\n<\/div>\n\n\n\n
Christine Magerski holds the Chair of German Literature at the University of Zagreb. After her Master\u2019s in Comparative Literature and History at Free University of Berlin, she worked on her dissertation at Monash University\/Melbourne on the beginning of the sociology of literature in Germany in the late 20th century. Already in this context, she was focused on examining the interconnection between literature and society. At the Wissenschaftskolleg of Berlin as well as at University of Zagreb, she researched the social and cultural history of modernity with special consideration of the avant-garde and subcultural movements. Her research on literary sociology revolves around questions of socio-cultural self-description with special emphasis on the creative class and its (self)publicity. Christine Magerski is currently working on a monograph on images of society in literature and sociology of the 20th century. She lives with her family in Zagreb and in Berlin.<\/p>\n\n\n\n
Monographs on the topic of literature, society and the public sphere:<\/p>\n\n\n\n
Die Konstituierung des literarischen Feldes in Deutschland nach 1871. Berliner Moderne, Literaturkritik und die Anf\u00e4nge der Literatursoziologie<\/em>, T\u00fcbingen: Niemeyer 2004; Gelebte Ambivalenz.<\/em><\/p>\n\n\n\nDie Boheme als Prototyp der Moderne<\/em>. Wiesbaden: Springer VS 2015.<\/p>\n\n\n\nLiteratursoziologie. Grundlagen, Problemstellungen und Theorien<\/em>. Zusammen mit Christa Karpenstein-E\u00dfbach, Wiesbaden: Springer VS 2019; Umgekehrte Mimesis. Bausteine einer Geschichte der K\u00fcnstlichkeit<\/em>. Zusammen mit David Roberts, Weilerswist: Velbr\u00fcck 2023.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Mark McGurl \u2013 Stanford (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Mark McGurl<\/strong><\/p>\n\n\n\nStanfordUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Volker Mergenthaler \u2013 Marburg University (Germany)<\/button><\/h2>\n\n\n\nProf. Dr. Volker Mergenthaler<\/strong><\/p>\n\n\n\nMarburg Germany<\/p>\n\n\n\nMarburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\nhttps:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Die Boheme als Prototyp der Moderne<\/em>. Wiesbaden: Springer VS 2015.<\/p>\n\n\n\nLiteratursoziologie. Grundlagen, Problemstellungen und Theorien<\/em>. Zusammen mit Christa Karpenstein-E\u00dfbach, Wiesbaden: Springer VS 2019; Umgekehrte Mimesis. Bausteine einer Geschichte der K\u00fcnstlichkeit<\/em>. Zusammen mit David Roberts, Weilerswist: Velbr\u00fcck 2023.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Mark McGurl \u2013 Stanford (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Mark McGurl<\/strong><\/p>\n\n\n\nStanfordUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Volker Mergenthaler \u2013 Marburg University (Germany)<\/button><\/h2>\n\n\n\nProf. Dr. Volker Mergenthaler<\/strong><\/p>\n\n\n\nMarburg Germany<\/p>\n\n\n\nMarburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\nhttps:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Literatursoziologie. Grundlagen, Problemstellungen und Theorien<\/em>. Zusammen mit Christa Karpenstein-E\u00dfbach, Wiesbaden: Springer VS 2019; Umgekehrte Mimesis. Bausteine einer Geschichte der K\u00fcnstlichkeit<\/em>. Zusammen mit David Roberts, Weilerswist: Velbr\u00fcck 2023.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Mark McGurl \u2013 Stanford (USA)<\/button><\/h2>\n\n\n\nProf. Dr. Mark McGurl<\/strong><\/p>\n\n\n\nStanfordUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Volker Mergenthaler \u2013 Marburg University (Germany)<\/button><\/h2>\n\n\n\nProf. Dr. Volker Mergenthaler<\/strong><\/p>\n\n\n\nMarburg Germany<\/p>\n\n\n\nMarburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\nhttps:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Prof. Dr. Mark McGurl<\/strong><\/p>\n\n\n\nStanfordUSA<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Volker Mergenthaler \u2013 Marburg University (Germany)<\/button><\/h2>\n\n\n\nProf. Dr. Volker Mergenthaler<\/strong><\/p>\n\n\n\nMarburg Germany<\/p>\n\n\n\nMarburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\nhttps:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
StanfordUSA<\/p>\n<\/div>\n\n\n\n
Prof. Dr. Volker Mergenthaler<\/strong><\/p>\n\n\n\nMarburg Germany<\/p>\n\n\n\nMarburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\nhttps:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Marburg Germany<\/p>\n\n\n\n
Marburg UniversityLehrstuhl f\u00fcr Neuere deutsche Literatur<\/p>\n\n\n\n
https:\/\/www.uni-marburg.de\/de\/fb09\/neuere-deutsche-literatur\/institut\/personen\/mergenthaler<\/a><\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nVolker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Volker Mergenthaler is Professor of Modern German Literature at Marburg University. His research interests historically focus on the 19th and 20th<\/sup> centuries, and systematically on media and material philology. His recent publications consider literary markets, competing media and generic formats and connected publica<\/em>, as well as their historically specific analysis and reflection.<\/p>\n\n\n\nSelected Publications<\/h2>\n\n\n\nFormatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Formatwechsel. Karrierestationen einer Erz\u00e4hlung von Christian Munk \/ G\u00fcnther Weisenborn. In: Archiv f\u00fcr Geschichte des Buchwesens<\/em> 79 (2024), S. 181-227.<\/p>\n\n\n\nJournal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Journal\u00e4hnliche B\u00fccher \u2013 buchf\u00f6rmige Journale<\/em>. Hg. v. Andreas Beck u. Volker Mergenthaler (2022)<\/p>\n\n\n\nOptische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Optische Auftritte. Marktszenen in der medialen Konkurrenz von Journal-, Almanachs- und B\u00fccherliteratur<\/em> (zus. mit Stephanie Glei\u00dfner, Mirela Husi\u0107 u. Nicola Kaminski) (2019)<\/p>\n\n\n\nGarderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Garderobenwechsel. \u00bbDas Fr\u00e4ulein von Scuderi\u00ab in Taschenbuch, Lieferungswerk und Journal (1819-1871)<\/em> (2018).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Stephan Moebius \u2013 Karl-Franzens-Universit\u00e4t Graz (Austria)<\/button><\/h2>\n\n\n\nProf. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Prof. Dr. Stephan Moebius<\/strong><\/p>\n\n\n\nGrazAustria<\/p>\n\n\n\nKarl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nMy research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
GrazAustria<\/p>\n\n\n\n
Karl-Franzens-Universit\u00e4t GrazInstitut f\u00fcr Soziologie<\/p>\n<\/div>\n\n\n\n
My research interests lie particularly in the field of sociological theory of praxeology and, in relation to literature, in the study of texts as aesthetic practices. Here, texts are conceived as elements of discourse-practice formations, more precisely: as complexes of discourses and practices, as further defined by Susanne Knaller in our project on the analysis of \u201climinal texts\u201d of the long turn of the century, see S. Knaller\/S. Moebius\/M. Scholger (2022): Twilight Zones. Liminal Texts of the Long Turn of the Century (1880 to 1940). Austria, France, Germany (open access: https:\/\/unipub.uni- graz.at\/obvugrveroeff\/download\/pdf\/7009574? originalFilename=true<\/a>).<\/p>\n\n\n\nIn addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\nProf. Dr. Barry Murnane \u2013 University of Oxford (UK)<\/button><\/h2>\n\n\n\nProf. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
In addition to the interest in texts as discourse-practice formations, in particular the liminal texts of the long turn of the century that oscillate between science and art, my sociological focus is also on the power relations in which texts are embedded, in particular the forms of symbolic power according to Bourdieu.<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
Prof. Dr. Barry Murnane<\/strong><\/p>\n\n\n\nOxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\nUniversity of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n\n\u26f6<\/button><\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\nBarry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
OxfordUnited Kingdom of Great Britain and Northern Ireland<\/p>\n\n\n\n
University of OxfordFaculty of Medieval and Modern Languages<\/p>\n<\/div>\n\n\n\n
Barry Murnane ist Associate Professor of German an der Universit\u00e4t Oxford. Er forscht in komparatistischer Hinsicht zu Themen von der Fr\u00fchaufkl\u00e4rung bis zur Gegenwartskultur, mit besonderen Schwerpunkten in der Literatur und Kultur der Sattelzeit um 1800, der Moderne (vor allem Franz Kafka), Gothic und Horror, und Gegenwartsdrama. Er besch\u00e4ftigt sich immer wieder mit Forschungsfragen des Graduiertenkollegs, mit Arbeiten zu Genealogien der Literaturkritik (Literaturkritik nach 1700 <\/em>hg. v. B. Murnane u.a. [2019]), zum Verh\u00e4ltnis von Popul\u00e4rkultur und Literatur (Zwischen Popularisierung und \u00c4sthetisierung <\/em>hg. von B Murnane & Rainer Godel [2014]), Popliteratur (\u201cGaps, Great Divides and Other Stories. Transferbedingte Signaturen des Popul\u00e4ren in Theorie und Literatur um 1968\u201d, in: Die amerikanischen G\u00f6tter. Transatlantische Prozesse in der deutschsprachigen Popkultur seit 1949 <\/em>[2015], 65-88), oder zu Repr\u00e4sentationen von Neoliberalismus und Globalisierung in der Gegenwartskultur (\u201c\u2018Toleranz \u2013 du nervst mich so\u2019: Reinventing Lessing\u2019s Nathan der Weise <\/em>for the Contemporary German Stage\u201d, in: The German Quarterly <\/em>93.4 [Fall 2020], 447-465).<\/p>\n\n<\/div><\/div><\/div><\/div>\n\n
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